The earrings, styled by Law Roach for a press event, feature discs dating back to the first millennium B.C. While jeweler Glenn Spiro mounted them in a noninvasive 18-karat gold setting, the provenance of the artifacts remains deeply contentious. The pieces are linked to a 1947 discovery in Iran’s Kurdistan province that bypassed formal archaeological excavation, leading many to argue the items belong in a museum rather than a private collection.
Barron London, the firm that acquired the earrings in 2020, maintains that the medallions were not permanently altered and hopes the pieces serve to highlight Iran’s enduring artistic legacy. This defense has failed to quell public outcry. Detractors point to the illicit nature of the antiquities trade, noting that many items attributed to the Ziwiye hoard were sold through dealers without documented history. The controversy is further sharpened by the current political climate, as observers find it insensitive to commodify Iranian cultural heritage while the nation remains embroiled in conflict. Zendaya has not issued a public statement regarding the criticism.




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