The tour, which follows the release of her album centered on the dissolution of her marriage to actor David Harbour, saw significant venue shifts across the United States. In Chicago, a performance originally booked for the 23,500-capacity United Center was moved to the 3,500-capacity Chicago Theatre. Similar relocations occurred in Philadelphia, Inglewood, and San Francisco, where the singer shifted from large arenas to more intimate settings.
Allen pushed back against the narrative that artists alone dictate the scale of their tours, noting that promoters rely on data projections to determine venue size. She explained that she felt uneasy about the prospect of touring from the start, but ultimately honored the commitment to avoid leaving her staff without work through October. Regarding the public nature of her split from Harbour, Allen described his recent public comment that he respects her artistic process as a generous gesture. The pair, who married in 2020, separated last year, with the fallout serving as a primary creative force behind her latest musical project.




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